“These paintings are very personal. They’re self-portraits, so I use myself as the model. In regard to food choices, I’m always going for something that is considered indulgent, forbidden, or comforting. The paintings are about compulsion, and excess can be an aspect of compulsive behavior. No one gets excessive with carrots. The settings are mainly bathtubs and beds. They are private spaces, spaces of solitude, and unusual places to find someone eating. The private space emphasizes the secrecy of compulsive behavior and the unusual settings emphasize its absurdity. The solitude and peace of the setting is a good juxtaposition to the frenetic, out-of-control feel of the woman’s actions. My use of the bird’s eye view gets interpreted as a voyeurism thing or a God’s eye view a lot—it’s neither. It’s the subject looking down on herself—observing herself in the act of the compulsive behavior, being completely aware of what she is doing but unable to stop.”